eliot bates: Anatolian music, oud, audio engineering, and electronic music cultures

 

research overview

My topical research interests include: oud, Karadeniz popular music and local musics from the Eastern Black Sea region of Turkey, Alevism, contemporary Turkish music, Turkish-American communities, intonation and theorization of Ottoman and Turkish classical makam systems, recording studios, audio engineering, the practice of arrangement, aesthetic issues in electronic music, underground electronic dance music cultures, and Central Javanese gamelan.

I am also more broadly interested in synesthesia and affect, the use of organizational sociology in ethnomusicological research and analysis, critically examining field methods employed in ethnographic practices, and developing collaborative bibliography projects that empower academic micro-communities.

Currently I am writing several research articles based on my multi-year, multi-sited research into Turkish recording studios, practices, and professionals. My research was funded by a Fulbright IIE grant, as well as an ARIT State Department Fellowship.

I am also the secretary of the SEM Council, an advisory council to the board of directors of the Society of Ethnomusicology.

Click here for a downloadable resume including teaching and research experience.


publications

2008   Social Interactions, Musical Arrangement, and the Production of Digital Audio in Istanbul Recording Studios. Ph.D. Dissertation, University of California Berkeley (click here for the abstract).
2005   Review of You Better Work: Underground Dance Music in New York City by Kai Fikentscher. Ethnomusicology 49(2).
2004   "Glitches, bugs, and hisses: the degeneration of musical recordings and the contemporary musical work," in Bad Music: Music you Love to Hate, edited by Chris Washburne and Maiken Derno. New York: Routledge.
1997   Ambient Music. MA Thesis, Wesleyan University, 233 pages. Download it now from Wesleyan University

conference papers

2009   MACSEM: "Technologies of spirituality, hi-tech-sponsored communalism, and the dialectics of Northern California's electronic dance music microcultures"
2008   The Art of Record Production 4: "Ron's right arm: tactility, visualization, and the synesthesia of audio engineering"
2008   SEM: "Folkloric resources and the legitimation of innovative arranged recordings in Turkey"
2008   NCCSEM: "Comfort and tea: institutional culture and aesthetic decision-making in the Turkish recording industry" [Winner of the Marnie Dilling Prize]
2007   SEM: "The arrangement and engineering of individual musicianship and group interaction in contemporary Turkish recordings"
2006   Orta Dogu Teknik Üniversitesi Halkbilim Toplulugu 45th conference: "Karadeniz Müzigi ve Karadeniz Yöresel Müziklerinin Karsilastirmali Teknik Analizi"
2006   The Art of Record Production (Edinburgh): "Studios, arrangement, and the distributed production system of contemporary Turkish music"
2003   IASPM-US: "Hisses, hums, and pops: Low Fidelity Aesthetics in Contemporary Popular Music"
2003   SEM/CMS: "Bi-musicality and Middle Eastern Musemes in Electronica Music"
2003   NCCSEM: "The Electric Orient: Bi-musicality and Middle Eastern Inflections in British Electronica"
1997   NECSEM: "Turkish Makams in Rebetika"


invited colloquia/lectures

2008   Academy Village, Tucson: "Folk music of Anatolia," a lecture/performance, with Ladi Dell'aira
2007   UC Berkeley colloquia in the musicologies: "The arrangement and engineering of individual musicianship and group interaction in contemporary Turkish recordings"
2006   Isik Üniversitesi (Sile): "Digital Audio Workstations and Changes to Turkish Music Performance Practice"
2006   American Research Institute of Turkey (Istanbul): "Ethnic and musical aspects and consequences of pan-Karadeniz popular music"
2004   Stanford University: "What can we know about Ancient Music?" An interactive multimedia presentation on ancient Egyptian, Sumerian, and Hurrian music.
2004   St. Mary's College, Moraga: "Sufism and Music in Turkish Islamic Society"
2003   UC Berkeley colloquia in the musicologies: "Hisses, Hums, and Pops: Low-Fidelity Aesthetics in Contemporary Popular Music"
1997   Wesleyan University colloquia series: "The Ambient Belief System: an Introduction"



Updated April 07, 2009

©2002-2008  eliot bates